The receipt says October 21, 2013. I was at a local restaurant (which shall remain nameless) with two architect girlfriends. As I looked over the restaurant’s faux-Victorian, Yukon gold rush brothel decor (readers of this blog know is something that has been irking me for a while) I asked for their opinions.
Archive for the ‘Canadian design’ Category
Apparently this is not a renegade settler war party, it’s a new “bloodgrass” band from Sudbury in Northern Ontario called Murder Murder. You can listen to their banjo-esque non-Northern-Ontario-ish neo-bluegrass murdery numbers at the link above.
Music aside—and the imported Appalachia sound is a whole other issue—here I’m just going to look at their fashion, promotion and visuals.
This is a superb and historically important album, a compilation of music by indigenous musicians in Canada 1968-1985. It’s telling that I had only heard one of these tracks before hearing the album; it points to a disturbing lack of airplay of native music during those years. This album belongs in every music collection in Canada and beyond.
Despite all the backlash to Ralph Lauren’s genocide chic advertising campaign last year, it seems designers have either learned nothing, or conversely they’ve learned that outrage is free and effective PR in the fashion world.
In a direct line from my earlier post on the heritage hipster style as a settler colonial aesthetic, here is another exhibit in the colonial museum of fashion: Ralph Lauren using genocide-era vintage photographs of native men in western dress as part of its recent marketing campaign.
Not surprisingly this campaign has not gone down well.