Posts Tagged ‘favorite’

Geodesic dome redux

Thursday, May 28th, 2009

This post is sort of a follow-up to a previous post with a similar thesis: that the 60s and 70s aren’t dead, they’re alive and well and living on tumblr. These photos of geodesic dome interiors and exteriors are just a small selection from randomfriendly,  nomadicway, julesandnichostandardgrey and cerebralmuseum.

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Wary Meyers Decorative Arts

Sunday, May 24th, 2009

Linda and John Meyers of Wary Meyers Decorative Arts assemble these mod, chic, distinctly 1960s and 70s interiors almost entirely from furniture and objects they find in thrift and vintage sales. They’ve produced some great interior design projects for clients but shown here is their own house in Portland, Maine, which is by now quite well-known.

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Dance scene from Band of Outsiders

Saturday, May 23rd, 2009

http://youtu.be/nQWx6TXWw1Y

From Godard’s 1964 film Bande à part, or Band of Outsiders. Not design except in the larger sense, but it’s in the favourites category thanks to my friends Maxwell and Hadley who made about thirty of us learn this sequence for an art event a couple of years ago. We were calling it The Madison but apparently it’s not a faithful rendition of that dance.

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Depth in surfaces – Wang Shu’s Ningbo Museum

Monday, May 4th, 2009

Museum designed and built as if by archeological time. The Ningbo Historic Museum was designed by Wang Shu of Amateur Architecture Studio. Photos by Iwan Baan, via archdaily. I think of this as “archeotecture.”

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Door by Door Sixteen

Friday, May 1st, 2009

I’m mesmerized by this door photo by Anna Dorfman-Stark, whose Door Sixteen is one of my favourite blogs. This amazing doorway is in New York City, and I’m probably going to think of it as “door sixteen” from now on. Anna is a book cover designer, so I’m not surprised she loves these doors – double doors always look like a bookcover to me.

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Typography over at the Russian People’s Home

Tuesday, April 28th, 2009

The Russian Hall, formerly the Russian People’s Home, consistently produces typography so clear, so straightforward, so capitalized it is a manifesto in itself, design or political. This what happens when you try to produce design degree zero: the more you eschew style, the more you achieve it.

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