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	Comments on: Mighty Boosh	</title>
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	<lastBuildDate>Sun, 30 Dec 2012 21:07:14 +0000</lastBuildDate>
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	<item>
		<title>
		By: LB		</title>
		<link>https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1920</link>

		<dc:creator><![CDATA[LB]]></dc:creator>
		<pubDate>Sun, 30 Dec 2012 21:07:14 +0000</pubDate>
		<guid isPermaLink="false">http://blog.ounodesign.com/?p=12411#comment-1920</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1919&quot;&gt;Ana&lt;/a&gt;.

Ana, I know. At first I felt that way about Luxury Comedy too, but somehow I have come around. However, the characters Noel loves most are the ones I can barely watch. I have to skip over anything involving the New York cop, whatshisname Boombox. So hamfisted, boring, unsubtle, unmodulated and loud, and he just doesn&#039;t see that. But I think the sketches with Tony Reason and Tod Michaels, the ray and hammerhead shark, are amazing. If you can ignore the inane body humour which I think the presence of Julian kept a lid on somewhat in the Mighty Boosh. And I love Fantasy Man and Dolly (who is extremely underused in what is otherwise a guyfest). She was great in the Firebaby sketch. &quot;It&#039;s not a joke, Noel, it&#039;s a concept.&quot; And then leaving on her toy fire engine - her &quot;I&#039;m coming... &quot; delivery was perfect. So yeah, I know what you mean about unintentional self-parody. And I miss Julian and the Boosh. I just don&#039;t hate Luxury Comedy as much as I once did. By the way I did a post on it here: http://blog.ounodesign.com/2012/08/26/noel-fieldings-luxury-comedy/]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1919">Ana</a>.</p>
<p>Ana, I know. At first I felt that way about Luxury Comedy too, but somehow I have come around. However, the characters Noel loves most are the ones I can barely watch. I have to skip over anything involving the New York cop, whatshisname Boombox. So hamfisted, boring, unsubtle, unmodulated and loud, and he just doesn&#8217;t see that. But I think the sketches with Tony Reason and Tod Michaels, the ray and hammerhead shark, are amazing. If you can ignore the inane body humour which I think the presence of Julian kept a lid on somewhat in the Mighty Boosh. And I love Fantasy Man and Dolly (who is extremely underused in what is otherwise a guyfest). She was great in the Firebaby sketch. &#8220;It&#8217;s not a joke, Noel, it&#8217;s a concept.&#8221; And then leaving on her toy fire engine &#8211; her &#8220;I&#8217;m coming&#8230; &#8221; delivery was perfect. So yeah, I know what you mean about unintentional self-parody. And I miss Julian and the Boosh. I just don&#8217;t hate Luxury Comedy as much as I once did. By the way I did a post on it here: <a href="http://blog.ounodesign.com/2012/08/26/noel-fieldings-luxury-comedy/" rel="nofollow ugc">http://blog.ounodesign.com/2012/08/26/noel-fieldings-luxury-comedy/</a></p>
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		<item>
		<title>
		By: Ana		</title>
		<link>https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1919</link>

		<dc:creator><![CDATA[Ana]]></dc:creator>
		<pubDate>Sun, 30 Dec 2012 12:50:07 +0000</pubDate>
		<guid isPermaLink="false">http://blog.ounodesign.com/?p=12411#comment-1919</guid>

					<description><![CDATA[It took me about four years to get properly into the Mighty Boosh...but once I got there, I was overcome by the oddest sort of comfort. I hadn&#039;t felt that level of being sucked into an imaginary world since I was a teen.
Have you seen Noel Fielding&#039;s Luxury Comedy? 
The writing is pretty terrible. It seems to me like he is coasting on some sort of unintentional-self-parody setting.
It still has a visual impact though...like a pop Triadic Ballet or something.]]></description>
			<content:encoded><![CDATA[<p>It took me about four years to get properly into the Mighty Boosh&#8230;but once I got there, I was overcome by the oddest sort of comfort. I hadn&#8217;t felt that level of being sucked into an imaginary world since I was a teen.<br />
Have you seen Noel Fielding&#8217;s Luxury Comedy?<br />
The writing is pretty terrible. It seems to me like he is coasting on some sort of unintentional-self-parody setting.<br />
It still has a visual impact though&#8230;like a pop Triadic Ballet or something.</p>
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		<title>
		By: Pat		</title>
		<link>https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1918</link>

		<dc:creator><![CDATA[Pat]]></dc:creator>
		<pubDate>Mon, 19 Nov 2012 15:56:15 +0000</pubDate>
		<guid isPermaLink="false">http://blog.ounodesign.com/?p=12411#comment-1918</guid>

					<description><![CDATA[You can see Christine in a masterclass here:
http://guru.bafta.org/christine-cant-make-hair-masterclass-video]]></description>
			<content:encoded><![CDATA[<p>You can see Christine in a masterclass here:<br />
<a href="http://guru.bafta.org/christine-cant-make-hair-masterclass-video" rel="nofollow ugc">http://guru.bafta.org/christine-cant-make-hair-masterclass-video</a></p>
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		<item>
		<title>
		By: LB		</title>
		<link>https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1917</link>

		<dc:creator><![CDATA[LB]]></dc:creator>
		<pubDate>Sun, 18 Nov 2012 20:53:29 +0000</pubDate>
		<guid isPermaLink="false">http://blog.ounodesign.com/?p=12411#comment-1917</guid>

					<description><![CDATA[Pat - thanks! I&#039;ve made changes to the post. Of course you&#039;re right. They&#039;re all brilliant. The Mr. Susan costume is my all-time favourite, of any in the Boosh.]]></description>
			<content:encoded><![CDATA[<p>Pat &#8211; thanks! I&#8217;ve made changes to the post. Of course you&#8217;re right. They&#8217;re all brilliant. The Mr. Susan costume is my all-time favourite, of any in the Boosh.</p>
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		<item>
		<title>
		By: Pat		</title>
		<link>https://ounodesign.com/2011/08/07/mighty-boosh/#comment-1916</link>

		<dc:creator><![CDATA[Pat]]></dc:creator>
		<pubDate>Sun, 18 Nov 2012 20:06:48 +0000</pubDate>
		<guid isPermaLink="false">http://blog.ounodesign.com/?p=12411#comment-1916</guid>

					<description><![CDATA[A small point, but it was Christine Cant, the make-up designer, who made the Cobra costume, not Annie Hardinge. Christine is the one talking in the video. She also made the Mr Susan costume, apparently out of chamois leathers and J-cloths bought from B&#038;Q hardware store. Must be the cheapest rig-out ever made, but in many ways the funniest.]]></description>
			<content:encoded><![CDATA[<p>A small point, but it was Christine Cant, the make-up designer, who made the Cobra costume, not Annie Hardinge. Christine is the one talking in the video. She also made the Mr Susan costume, apparently out of chamois leathers and J-cloths bought from B&amp;Q hardware store. Must be the cheapest rig-out ever made, but in many ways the funniest.</p>
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