There is a particular type of contemporary design that I deeply despise but for which there is no terminology. About six years ago, out of frustration, I started calling it “contempo.” It is a deliberately cheesy term for a cheesy aesthetic, an aesthetic of dumbed-down, cutesy faux-modernism.

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You could almost call these buildings archeotecture, or perhaps archeolitecture, because though all three were built recently, they look and feel profoundly archeological. All of them have the mute, mysterious quality of monumental ancient ruins and they produce – for me, anyway – that weird, quiet, prickling-the-back-of-the-neck sensation you sometimes get when viewing something impossibly old. 

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