Every few years this romance of ethnic plus nomad comes back around. For a previous example, see 2008. This year it seems to have returned as the usual Siberian/Mongolian nomad style, but hybridized with a specific pastiche of ethnic costumes and craft embellishments.

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These “modern nomad” or “urban nomad” styles appeared in Canadian fashion magazine Flare this fall, and Vogue and and others published similar photographs. Since fashion and other areas of design tend to be strangely prescient about historical circumstances – for example, American Depression-era styles were on the runway for nearly a year and a half before the recent stock market crash – does this interest in nomadism mean anything?

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