George Norris, the artist who made what is arguably Vancouver’s most famous piece of public art—a giant steel crab in front of the Vancouver Museum and Planetarium—has died in Victoria.  

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Just to prove I don’t hate all tall buildings, this early 1970s brutalist concrete highrise in Vancouver is a long-time favourite of mine, and one that I think has held up really well over the years.

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Just off the Playa Ancon outside the town of Trinidad, Cuba.

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For brutalist concrete, I find this little bank quite friendly. And not half bad for a drive-in. Unfortunately it seems to be abandoned. Photo above is by agilitynut, and and an alternate view is here.

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Everywhere you look in Mexico City, you see something well thought out. Then you come home.

Top, outside a mod bar in the Condesa district; brutalist bank building with relief exterior; art nouveau building in the Roma district; doorway in the Coyoacan neighbourhood; benches in Chapultepec Park; minimalist sans serif address lettering is everywhere; the amazing tiled library at Universidad Nacional Autónoma de México.

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This is part 2 in a series. It’s Lost Lagoon Terrace at 845 Chilco in Vancouver, built in 1972, another example of 1960s/70s modernist apartment architecture.

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This series is about a style of architecture that repelled me when I was growing up but that I now find strangely attractive.

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Utopian soviet architecture, futuristic and sci-fi, photographed by Frederic Chaubin, editor of French magazine Citizen K. Interview and photos from Ping Mag. The architect who designed the building below was influenced by a sketch of an imaginary city drawn by a Russian artist.

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Photo essay of post-war Yugoslavian monuments and architecture by Belgian artist Jan Kempenaers, from the Crown Gallery site. “Spomenik” means monument, and all of these structures were meant to commemorate WWII losses and point to progress and a generally utopian future.

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The post Spomenik: The End of History, by Jan Kempenaers appeared first on Ouno Design.

I’ve liked this building from childhood, but somehow I managed to see it with fresh eyes recently – I was late for an art event there, it was dusk, I was tired, the entry was deserted and somehow I suddenly noticed how ridiculously beautiful it is.

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