Loyal Loot, four designers in Edmonton, Alberta who produce simple but interesting, stylish work, have one of the most enviable company names in Canadian design. Their Log Bowls are really appealing, and we also love their Coat Hang.
November 5, 2008
Loyal Loot, four designers in Edmonton, Alberta who produce simple but interesting, stylish work, have one of the most enviable company names in Canadian design. Their Log Bowls are really appealing, and we also love their Coat Hang.
Our pick of the campaign trail photos by Callie Shell. There’s an interesting humility and lack of ego evident in these photos.
November 3, 2008
Great execution of a great idea in this public xylophone bench by designer Paul Aloisi for the BenchMark Project in Toronto, Canada. From the Canadian Design Resource. There would be pressure to stand up whenever anyone else came by.
November 2, 2008
It would be hard to count the number of times I’ve seen a photo of a beautiful minimalist interior in a blog and then scrolled down to the comments to discover that many people find it cold, sterile, clinical, unfit for kids, even morally reprehensible.
These “modern nomad” or “urban nomad” styles appeared in Canadian fashion magazine Flare this fall, and Vogue and and others published similar photographs. Since fashion and other areas of design tend to be strangely prescient about historical circumstances – for example, American Depression-era styles were on the runway for nearly a year and a half before the recent stock market crash – does this interest in nomadism mean anything?
October 31, 2008
Our studio pumpkin. Happy Hallowe’en!
“Each year the Great Pumpkin rises out of the pumpkin patch that he thinks is the most sincere. He’s got to pick this one!
October 30, 2008
Swiss artist Felice Varini applies these geometric “perspective-localized” paintings to rooms and other architectural surfaces. Varini’s perspectival installations are interesting in that they project visually compelling geometric shapes onto architectural spaces but the shapes are only seen in their perfect geometric form from a single, specific vantage point.
Why does ancient art look more and more interesting as time goes on? Is it just the effect of looking at too many contemporary design blogs, where nearly every object is acquirable?
October 29, 2008
Maybe this is another version of the indoor swing, I don’t know, but there’s something magical about suspended furniture. It’s by architect Robert Bernstein and was profiled in the NYT style section a while back.