minimalism

Concrete planters. What happened? Whither minimalism? Whither design?

April 1, 2011

Concrete planters. What happened? Whither minimalism? Whither design?

Whatever happened to planters like these two? They may still be in production, but wherever they are still available, and that’s nearly nowhere, they’re civic-sized, weigh 500-1000 pounds, and are out of scale for people’s home gardens.

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The Comfort of Things, by Daniel Miller

July 27, 2010

The Comfort of Things, by Daniel Miller

“We live today in a world of ever more stuff – what sometimes seems a deluge of goods and shopping. We tend to assume that this has two results: that we are more superficial, and that we are more materialistic, our relationships to things coming at the expense of our relationships to people.

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YOU HAVE BEEN HERE SOMETIME

August 14, 2009

YOU HAVE BEEN HERE SOMETIME


The blog YOU HAVE BEEN HERE SOMETIME does, as its title suggests, provoke an uncanny sensation. It’s halfway between a feeling of deja vu and a renewed sense of the mysterious life of objects.

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Typography over at the Russian People’s Home

April 28, 2009

Typography over at the Russian People’s Home

The Russian Hall, formerly the Russian People’s Home, consistently produces typography so clear, so straightforward, so capitalized it is a manifesto in itself, design or political. This what happens when you try to produce design degree zero: the more you eschew style, the more you achieve it.

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Categories: design, Uncategorised

Donald Judd’s loft at 101 Spring Street

April 25, 2009

Donald Judd’s loft at 101 Spring Street

This is artist Donald Judd’s loft in Soho, maintained as a museum and open for viewing after recent restorations. It was one of the first artist’s lofts in Soho – not to mention in New York – and is now almost the paradigmatic example of loft living.

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Japanese interiors – updated traditional farmhouses

April 2, 2009

Japanese interiors – updated traditional farmhouses

The photo above shows the central living area of a rural farmhouse on the border of Tochigi and Ibaraki prefectures. The house was restored by Kenji Tsuchisawa who bought it as a rundown heap when he was only 20, after seeing a photograph of a traditional Japanese farmhouse on a Tokyo magazine cover.

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