The short film “Textile” was inspired by the exhibition Post War British Textiles at Copenhagen Design Museum. Gavin Edwards, the filmmaker, tells me that the idea was to bring the patterns to life with the aid of motion graphics in a dynamic and intriguing way.
Great video shot on Hallowe’en, October 31, 2013. Over 1000 dolphins swim alongside a BC Ferries vessel on its way to Vancouver through Georgia Strait.
CBC report confirms they’re Pacific white-sided dolphins which usually congregate farther out to sea.
At a party last night someone asked what the Lorem Ipsum dummy text passage actually means, and despite studying latin for years (anything to get out of math), and despite seeing this dummy text all the time, I realized I had no idea.
This new quiz is not going to help my little problem staying away from English comedy panel shows. Not only is this on top of Never Mind the Buzzcocks, Have I Got News for You and too many others to mention, it’s hosted by David Mitchell and stars the hilarious, nerdy, dreamboatish Richard Ayoade.
Dancing to Transformer inside the old Crying Room space a few weeks ago, oblivious and laughing at 4 am while singing along to:
And curtains laced with diamonds dear for you And all the Roman Noblemen for you And kingdom’s Christian Soldiers dear for you And melting ice cap mountain tops for you And knights in flaming silver robes for you And bats that with a kiss turn prince for you.
Fantastically small tax on fantastically huge banking profits would yield fantastically large public revenue for supporting the poor. This is a campaign from 2010. What happened to this discussion?
OK, I don’t mind quotation, reference, homage and what have you. But let’s just point out that the 2013 song “The Fox,” also known as “What Does the Fox Say” by Norwegian comedy outfit Ylvis, pretty obviously owes a debt to the 2003 “Mod Wolves” sequence from UK comedy TV series The Mighty Boosh.
Bigger slump and bigger wars and a smaller recovery
Huger slump and greater wars and a shallower recovery
Dum, dum, dum, de dum dum
De duh de duh de dum dum dum, ah ah
Lyrics of Ping Pong by Stereolab, 2006:
It’s alright, ’cause the historical pattern has shown
How the economical cycle tends to revolve
In a round of decades three stages stand out in a loop
A slump and war then peel back to square one and back for more
Bigger slump and bigger wars and a smaller recovery
Huger slump and greater wars and a shallower recovery
You see the recovery always comes ’round again
There’s nothing to worry for things will look after themselves
It’s alright, recovery always comes ’round again
There’s nothing to worry if things can only get better
There’s only millions that lose their jobs
And homes and sometimes accents
There’s only millions that die in their bloody wars, it’s alright
It’s only their lives and the lives of their next of kin that they are losing
It’s only their lives and the lives of their next of kin that they are losing
It’s alright, ’cause the historical pattern has shown
How the economical cycle tends to revolve
In a round of decades, three stages stand out in a loop
A slump and war then peel back to square one and back for more
Bigger slump and bigger wars and a smaller recovery
Huger slump and greater wars and a shallower recovery
Don’t worry be happy things will get better naturally
Don’t worry, shut up, sit down, go with it and be happy
Dum, dum, dum, de dum dum
De duh de duh de dum dum dum, ah ah
Dum, dum, dum, de dum dum
De duh de duh de dum dum dum, ah ah
Blind Iranian legend Pari Zangeneh sings the song Gonjishkake Ashi Mashi, described by an Iranian friend as “a song of warning to a little sparrow which is coming around too close to people; saying it could be destroyed and eaten in the pool of painting (which is human society).
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This Blog
This blog is a long, somewhat messy photo essay on the history and politics of design. Design's socio-historical context—that is, the constraints and influences on the way we make objects, dwellings and cities—seems too often ignored. We no longer know where our styles, tastes or objects really come from, and this damages our creativity and sense of meaning. Historical knowledge is so fugitive in the New World, with everything so decontextualized in the rapid flow of commodities and images. Don't even get me started on tumblr and pinterest.
As Fran Lebowitz said, "Designers now, they all have these things called mood boards. I suppose they think a sense of discovery equals invention. It would be as if every writer had a board with paragraphs of other writers—'Oh, I'll take a little bit of this, and that, he was really good.' Yes, he was really good! And that is not a mood board, it is a stealing board."
As for the sort of design I'm personally interested in, full disclaimer.....read more
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Book in Progress: Habitat
To read about my book project on Vancouver's UN-Habitat Forum event of 1976 concerning just and sustainable urban settlements, click here. Few know that Buckminster Fuller, Margaret Mead, Mother Teresa, Paolo Soleri and Maggie & Pierre Trudeau, along with many thousands of others, came to Vancouver in 1976 to talk about better, safer, fairer and greener cities worldwide. In fact it was the founding conference of UN Habitat, an agency built around a foundational document called The Vancouver Declaration. My book is about what happened that year and is a snapshot not just of Vancouver but of how people around the world began to view cities and themselves differently in the wake of, among other things, the first oil crisis.
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