warm modernism

Aalto’s Villa Mairea in Finland

June 20, 2009

Alvar Aalto’s Villa Mairea in Noormarkku, Finland, built between 1937 and 1939 as a rural retreat, is considered one of the greatest houses of the 20th century. Japanese architect Shigeru Ban, who curated a major retrospective of Aalto’s work at the Barbican in London in 2007, says photographs give no real sense of Aalto’s buildings.

Categories: architect, architecture, design, furniture, interiors, landscaping, Uncategorised

Handbuilt houses of the Pacific coast

February 10, 2009

Sometimes after seeing too many chichi, precious, and citified houses, too much shiny, overproduced design, and everything just starts to look too estranged from the materials it was made from, as an antidote I go look at pictures of handbuilt houses.

Categories: architecture, British Columbia, design, green, Uncategorised

Soft modernism.

November 24, 2008

Hard-edged rooms, even the rustic kind, seem to need at least one big soft thing. Scandinavian interior design uses textiles in this way, and increasingly the term for the contemporary application of this idea seems to be “warm modernism” or “soft modernism.” The more unrelieved the hardness, the more warmth is needed and the more excessive the textures can be.

Categories: design, Uncategorised

Berber rugs, the art of a “people from between somewhere and nowhere.”

October 8, 2008

Le Corbusier, Marcel Breuer, Alvar Aalto and Arne Jacobsen used these rugs regularly in their interiors, which is not surprising. Their unusual combination of minimalism and handmade detail, restraint and inventiveness works well with modernism’s aesthetics by both echoing the abstract geometry of the architecture and also counterbalancing that austerity with some softness.

Categories: craft, design, favourite, interiors, textiles, Uncategorised

This blog is a long, somewhat messy photo essay on the history and politics of design. Design's socio-historical context—that is, the constraints and influences on the way we make objects, dwellings and cities—seems too often ignored. We no longer know where our styles, tastes or objects really come from, and this damages our creativity and sense of meaning. Historical knowledge is so fugitive in the New World, with everything so decontextualized in the rapid flow of commodities and images. Don't even get me started on tumblr and pinterest. As Fran Lebowitz said, "Designers now, they all have these things called mood boards. I suppose they think a sense of discovery equals invention. It would be as if every writer had a board with paragraphs of other writers—'Oh, I'll take a little bit of this, and that, he was really good.' Yes, he was really good! And that is not a mood board, it is a stealing board." As for the sort of design I'm personally interested in, full disclaimer.....read more ____________________________________

To read about my book project on Vancouver's UN-Habitat Forum event of 1976 concerning just and sustainable urban settlements, click here. Few know that Buckminster Fuller, Margaret Mead, Mother Teresa, Paolo Soleri and Maggie & Pierre Trudeau, along with many thousands of others, came to Vancouver in 1976 to talk about better, safer, fairer and greener cities worldwide. In fact it was the founding conference of UN Habitat, an agency built around a foundational document called The Vancouver Declaration. My book is about what happened that year and is a snapshot not just of Vancouver but of how people around the world began to view cities and themselves differently in the wake of, among other things, the first oil crisis. ____________________________________

warm modernism

Aalto’s Villa Mairea in Finland

Handbuilt houses of the Pacific coast

Soft modernism.

Berber rugs, the art of a “people from between somewhere and nowhere.”

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