A quasi-surreal or space age ‘Polished Steel Coffee Table’ by Italian architect and designer Gabriella Crespi looks like a metal crystal formation of some kind.
April 6, 2009
A quasi-surreal or space age ‘Polished Steel Coffee Table’ by Italian architect and designer Gabriella Crespi looks like a metal crystal formation of some kind.
April 5, 2009
I find this Todd Merrell Antiques magazine ad weirdly compelling. If you end up at his website (now defunct) it’s like being transported into Middle Earth or the underworld. You might have to retrieve an amulet with the help of a talking dog with eyes as big as saucers or something.
April 4, 2009
Obviously the House of Tomorrow wasn’t meant to be part of everyone’s tomorrow. Nice Jag. Nice unbuttoned look, too. That’s the developer, Bob, with his wife Helene in their 1960 Desert Modern-style house in Palm Springs by Palmer & Krisel, architects.
I love this art object/piece of furniture by artist Fia Backstrom, who has had a number of exhibitions in Vancouver. From the NYT article “Artful Lodgers“:
Fia Backstrom describes her apartment near the Gowanus Canal as a perpetual battle between organization and chaos.
April 3, 2009
The writer Douglas Coupland (“Generation X”), who has been interested in Canadiana for a long time, recently went about finding a classic 70s “builder’s special” house slated for demolition, filled it with objects constructed from the Canadian paraphernalia of his childhood, and then staged a party in it.
From Portland Monthly Magazine. A monochromatic painting resting on a teak credenza becomes a sort of contemplative feature wall. Why is this picture so compelling to me? It’s not as if it’s that different from the thousand other midcentury modern still lifes I’ve seen in the past few years, but sometimes one variation on a theme stands out from the others.
April 2, 2009
The photo above shows the central living area of a rural farmhouse on the border of Tochigi and Ibaraki prefectures. The house was restored by Kenji Tsuchisawa who bought it as a rundown heap when he was only 20, after seeing a photograph of a traditional Japanese farmhouse on a Tokyo magazine cover.
April 1, 2009
The bottom photo shows a functioning scarecrows made of indigo-dyed hemp. The original book caption reads “The bold design of this piece of shibori-dyed hemp by Seizo Ishikawa, a farmer, seems at home working as a scarecrow by a newly harvested rice field.” The birds in Japan must have been accustomed to seeing farmers in real Japanese indigo yukatas, waving their arms.
This is an addendum – or antidote – to the previous wall-of-books post. Riba, a library scientist, writes
Within our home the sheer quantity of books we own inhibits our ability to display artwork.