Oak Rooms – Gentlemen’s Club in Notting Hill

November 7, 2008

Oak Rooms – Gentlemen’s Club in Notting Hill

Seriously, is there still such a thing as a gentlemen’s club? Alright, so if we’re going to have gender segregation, then women might want a club too, in my case a women’s club where people can talk about books or politics or even men but where no one ever mentions Sex and the City.

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On the cheap in NYC

On the cheap in NYC

Art and architecture students produce creative DIY interiors on small budgets in NYC. For details see the NYT article. A wire cloud sculpture; a kitchen table made easily from a wood slab and tube legs from Home Depot; hanging wood light fixture made from ply offcuts; small space made larger via a loft bed and storage steps, with a desk surface made by resting a wood slab on two filing cabinets; spare paint used for wall decoration; spectacular chandelier made from plastic bags; kitchen cabinet made with a jigsaw and waste plywood.

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Minimalism vs. maximalism – “minimum is maximum in drag.”

November 2, 2008

Minimalism vs. maximalism – “minimum is maximum in drag.”

It would be hard to count the number of times I’ve seen a photo of a beautiful minimalist interior in a blog and then scrolled down to the comments to discover that many people find it cold, sterile, clinical, unfit for kids, even morally reprehensible.

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The nomad thing.

The nomad thing.

These “modern nomad” or “urban nomad” styles appeared in Canadian fashion magazine Flare this fall, and Vogue and and others published similar photographs. Since fashion and other areas of design tend to be strangely prescient about historical circumstances – for example, American Depression-era styles were on the runway for nearly a year and a half before the recent stock market crash – does this interest in nomadism mean anything?

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Felice Varini – geometry projected on architecture

October 30, 2008

Felice Varini – geometry projected on architecture

Swiss artist Felice Varini applies these geometric “perspective-localized” paintings to rooms and other architectural surfaces. Varini’s perspectival installations are interesting in that they project visually compelling geometric shapes onto architectural spaces but the shapes are only seen in their perfect geometric form from a single, specific vantage point.

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