This is the Mi Casa VolB showroom in São Paolo, by Marcio Kogan. I love cast concrete, especially here where there’s no attempt to embellish or hide the structure.
April 27, 2009
This is the Mi Casa VolB showroom in São Paolo, by Marcio Kogan. I love cast concrete, especially here where there’s no attempt to embellish or hide the structure.
April 25, 2009
This is artist Donald Judd’s loft in Soho, maintained as a museum and open for viewing after recent restorations. It was one of the first artist’s lofts in Soho – not to mention in New York – and is now almost the paradigmatic example of loft living.
April 24, 2009
Joe Colombo, 1930 – 1971, a prolific Italian architect, designer, artist and filmmaker, produced a substantial, instantly recognizable body of work before dying far too young at 41.
April 21, 2009
This is the Parish Church Complex of Marco de Canevezes, Portugal. It was designed by Portuguese architect Alvaro Siza with Rolando Torgo and completed in 1990. It’s a deceptively simple building.
April 20, 2009
This tiny sample of photos is from the new website of Vancouver interior designer April Tidey. They include shots of her own amazing loft in Gastown, one of Vancouver’s oldest neighbourhoods.
April 19, 2009
From The Practical Encyclopedia of Good Decorating and Home Improvement, 1972. Via here. And for the family outdoors, see here.
April 9, 2009
More far out interiors from The Practical Encyclopedia of Good Decorating and Home Improvement, Greystone Press, 1970.
April 5, 2009
April 2, 2009
The photo above shows the central living area of a rural farmhouse on the border of Tochigi and Ibaraki prefectures. The house was restored by Kenji Tsuchisawa who bought it as a rundown heap when he was only 20, after seeing a photograph of a traditional Japanese farmhouse on a Tokyo magazine cover.
April 1, 2009
The bottom photo shows a functioning scarecrows made of indigo-dyed hemp. The original book caption reads “The bold design of this piece of shibori-dyed hemp by Seizo Ishikawa, a farmer, seems at home working as a scarecrow by a newly harvested rice field.” The birds in Japan must have been accustomed to seeing farmers in real Japanese indigo yukatas, waving their arms.