January 18, 2009
This is one of the most beautiful buildings I’ve ever seen. It is the “Final Wooden House” by Sou Fujimoto, 2008, in Kamamura village in the south of Kyushu. It has just won Best Private Home award in the Wallpaper Design Awards 2009 and is probably on every design blog this week.
The textile company Anek Taanka, which means “infinite stitches,” was founded by Indian textile designer Varsha Sharma. She has said that “my challenge is to create pieces of textile that could inspire spaces to be designed around them rather than the other way around.” That’s a bold ambition but this pillow makes you think she could actually do it.
I found this tragic modern poem online while researching ventilation for the studio. I took a screenshot of it just in case someone failed to recognize its morose genius and removed it from the public domain.
January 17, 2009
Yet another 60s DIY project from The Practical Encyclopedia of Good Decorating and Home Improvement, Greystone Press, 1970. While the bookshelf directly above is cringe-worthy (almost in the “so bad it’s good” category, but not quite), it could be very mod if it were updated and re-made properly with more attractive materials.
These staggered, airy midcentury modern arrangements are so much less chichi than the many fancified contemporary bookshelves you see around.
I love this simple, balanced living room belonging to Italian architect Egle Amaldi in the 1960s.
January 16, 2009
Fantastic 1970s geometric supergraphic textile by German designer Elsbeth Kupferoth, who deserves to be much better known. Interesting short essay on her work and more photos at The Textile Blog.
January 15, 2009
Just a few blocks up the road from my studio is the workshop of Vancouver’s Molo Design. You’ve probably seen their accordioning softseating or their softwall room dividers which are now in the permanent collection of the Museum of Modern Art in NYC.
There’s something compelling about Ray Eames’ desk area, papered with work and photographs. Many people seem to have a fierce aversion to clutter these days (driven no doubt by the storage furniture industry) but artists like to have materials and visual stimulation at hand in their studios and there’s some evidence that this supports the creative process.
January 14, 2009
That’s the title of an interesting article in the NYT last week. By “design” the writer obviously means design itself, and not the world of commercial design which is in fact suffering during the current economic crisis.
The new building for the BC Cancer Agency is a good addition to Broadway, one of Vancouver’s most ridiculously unattractive streets. The building’s most obvious feature is its round windows which are meant to reference the glass petri dishes used in cancer research.
